Know someone who you think would enjoy Arcane? Let them know that this is their chance to snag it for nothing (usually costs $3.99). This is the first time ever it’s free, and only for a short while (until Monday, October 19th, 2015), as part of a special promotional campaign.
:)
Apprentice warlocks Augum, Bridget and Leera have reunited with their legendary mentor, Anna Atticus Stone. But her epic battle with the diabolical Lord of the Legion has taken a toll, and now she suffers from a deadly arcane fever. To revive her, Augum will have to earn the respect of a warrior people … by facing his childhood tormentors.
Meanwhile, Augum and Leera’s feelings for each other are complicated by the upcoming Star Feast, a magical midnight dance to mark Endyear. Their revelry will have to be short-lived, however, for a perilous quest beckons—the trio must infiltrate an ancient castle that will pit them against enemies old and new, while testing every ounce of their skill and courage
Thank you all so much for your patience and support. If you’re a fan of the series, consider sharing this post on Facebook / Twitter / other social media. Thank you so much :)
All my best,
Sever
Coming soon …
Title: To be announced, (The Arinthian Line, Book 3)
Cover and blurb reveal date: To be announced (subscribe to get a notice of release as well as a 24 hour window to purchase book 3 at a steep discount)
Release date: To be announced
Arcane (The Arinthian Line, Book 1)
Riven (The Arinthian Line, Book 2)
Author’s thoughts: Who releases a book with a winter cover in the middle of summer? I know, crazy, but I figure you’d want it sooner than later. This one is packed with adventure; Augum, Bridget and Leera are tested unlike ever before. I’m ultra excited, and I really can’t wait to get it to you. Not long to wait now!
Thank you to each and every single one of you for your amazing support. It means so much to me :)
All my best to you and those you love,
– Sever
Want to get involved? Join my Advance Review team
It gives me great pleasure to introduce an up-and-comer, David Neth:
The Differences Between Indie Publishing and Traditional Publishing, by David Neth
Lately the publishing industry has been divided between authors going the indie route and those still pursuing the traditional route. As someone who has received his master’s degree in publishing in NYC (whose teachers worked at some of the largest publishing houses in the world), it might come as a surprise that I’m choosing the independent route to publish my work. Confused? Let me explain…
Throughout the time I spent learning (and discovering) the publishing industry, I found out that self-publishing was a force to be reckoned with. Fifty Shades of Grey had just been picked up by Random House at the time and was blowing up the bestseller lists. My teachers (the traditional publishers) were discussing how they were looking into other self-published titles for the next hit.
Fast forward to that following summer, when I first decided to try out the self-publishing route, I discovered Joe Konrath’s blog and was obsessed. This guy had been traditionally published and switched to self-publishing in its infancy and was making bank. Way more than he was when he was traditionally published. My publishing education was expanded further as I embraced self-publishing.
Previously I had been shocked and dismayed that the publishers on Fifth Avenue were so dismissive to authors. Not all of them, but the vibe I got from the classes was that the authors spit out the first draft and then let the publishers take it from there without any input from the author on the cover design or style changes. That wasn’t the way I wanted my books to be handled. Not only that, but we had several entrepreneurs and innovators that came to guest speak in my classes and they inspired me. I wanted to forge my own path, my own way. I wanted to carve out a lifestyle that would work for me and would enable me to do what I loved to do.
It’s important to note that indie publishing isn’t all bubblegum and rainbows. Equally, traditional publishing isn’t a horrible route to take. It just wasn’t going to work for me. I wanted to make a career as a novelist. That just wasn’t possible with traditional publishing. I knew my book wasn’t a runaway hit like Harry Potter, but it was at least publishable. I knew I enjoyed it and someone else must, even if it was a midlist book. The problem with midlist books is that they don’t make traditional publishers a lot of money. In fact, they cost publishers money. It’s a business risk they don’t want to take so understandably they’re picky with their selections. If they don’t think it might be a hit, it’s rejected. No matter how well-written it is.
With indie publishing, I’m the one taking the risk on my own book. Since it’s my baby, I have the passion and enthusiasm behind it to push it to its best. Traditional publishing houses don’t always carry the same enthusiasm, especially if they feel your book is only going to land on the midlist.
Whether you choose to publish independently or pursue the traditional paths to publication, you need to weigh the pros and cons of each. Here are some key points about the differences between indie publishing and traditional publishing:
– Production:
With indie publishing you handle everything, unless you decide to outsource it, but that costs you your own money. With traditional publishing, they handle everything and you anxiously await the final proofs and product. This is different for each person. While it would be nice to have complete creative control over the final product with indie publishing, you may lack the skills necessary to make it a stellar product comparable with a traditionally published book. Likewise, while you lose your complete creative control over the final product (publishers may consult with you throughout the process, but they get the final say), the product is designed by professionals who have been working in the field for years and years. Not only that, but the bill is footed by the publisher.
– Advertising/Marketing:
Again, with this it depends on the publisher if you decide to go traditional. If they view you as a midlister, your advertising and marketing dollars drop significantly. You might as well be self-published and on your own with the budget they give you for advertising and marketing. However, if they think your book is the best thing since sliced bread, you’re going to be all over the place. You’re going to be the center of creative marketing and interviewed by newspapers, blogs, and magazines without having to ask. The publisher will take care of that for you. With indie publishing, you need to discover and beg, plead, and steal to get any sort of free promotion. In the end, hopefully your hard work (and possibly money) pays off since you’re also battling the stigma of self-published authors.
– Publishing Schedule:
The traditional publishing cycle, from acquisition to publication, is 18 months at the fastest. That’s a new book every year and a half. While that time is good for building hype and having a massive release day, it’s still a long time between each book. This is where indie publishing shines through. When you self-publish, you put out a book as fast as you can produce it. However, be mindful of the frequency at which you’re putting books out. Readers will come to expect it and then abandon you when you eventually burn out and miss your typical publication date. Conversely, they may abandon you if you saturate them too much. Think about it when all your favorite musicians decide to put out new albums around the same time. You either go broke or you pick and choose which ones you can’t live without.
Fortunately, neither path is the end-all-be-all. There are successful hybrid authors putting out books independently and traditionally. If you’re good at it, this might be the sweet spot. You get the attention and free promotion on your traditionally published books and those eyes will be led to your self-published books. It’s a win-win.
This post avoids the most obvious difference between indie publishing and traditional publishing: the royalty rate. Indies earn 60-70% royalty on their titles while traditionally published authors see 20%, which then needs to be split with their agent (since you can’t get a book deal without a literary agent). This is also something to consider when deciding which path to choose, but it’s certainly not the only thing. Create a list for yourself and determine what’s important to you. Are you looking to create a career or fulfill a hobby? Do your research and make a decision for yourself. Which path will you choose?
David’s first book is up for pre-order now
Thought I’d switch it up. Was intending on interviewing only sci-fi fantasy authors, but instead (insert pointless reasons). It’s my blog, and I do what I want to, dooo what I want to, you would do it too if it happened toooo yoooouuuu.
Ok, enough nonsense. At attention, folks, because we have a bona fide marine in the house, and he’s brought his guns along, making the crew nervous (my cat). Wayne Stinnett is the author of the bestselling action & adventure Jesse McDermitt series, and he’s about to undertake the toughest assignment given to man—answering my stupid questions.
Thanks for being here, Wayne. Have a seat on the, uh, vinyl cushion there. Sorry for the rips and stains. I promise I don’t have bed bugs. So, on a scale of 1 to 10, how commanding is your presence when you walk into a room? Do you make people nervous with a thousand yard stare?
Thanks, Sever. Though I write action/adventure for a living, I’m a long time sci-fi fan. Was really saddened to hear about Leonard Nimoy yesterday. Know how you can tell which one in the Enterprise landing party is gonna get killed? It’s the guy in the red shirt. First off it’s Marine, not marine. One is a title, that once earned can never be taken away. The other is anything in sea water, which a lot of times can be Marines. I’m not a very big guy, so my physical presence is often ignored. If I need to get their attention, though, I have my ways.
If I were to trespass onto your property, how quickly would I get gunned down? Describe the encounter.
The perimeter is booby trapped, you won’t get on the property. If, however, you manage to slip past the claymores, punji pits and bouncing Bettys, you’d be silently greeted by a 110 pound wolf/chow hybrid. My scope is zeroed at two hundred meters and the bang stick under it is accurate to eight hundred. Trust me, there’s nothing here worth the effort.
*Takes careful notes.* All right, cancelling operation free-the-chicken-coop. You hunt rabbit and deer. Explain yourself to the tree-huggers in the crowd.
What’s next for you?
Semper Fi,
Thank you for coming over to this blog. Sorry for the mess, been bit of a dump around here lately. Uh, have a seat between the ferns. So, what’s with the parrot?
We have a bird thing going. Book three is going to have some pirates, and probably some parrot familiars. It’s like the old adage says, “put a bird on it.”
That video. lol. So the CN in C.N. Crawford is two people apparently. Explain why you’re not crazy.
Either there are actually two of us, or it’s just me in a yellowed wedding dress with a moldering rat-eaten cake screaming into a dead garden about a husband. I’m not going to tell you which of these is true.
Since you’re not crazy, why is there a knife in both your hands? I don’t do interviews like this.
How violent is your working relationship? If it’s not violent, can you make something juicy up? This is practically Jerry Springer here. I mean, look at the raving loons in the audience.
It was pretty tame for the writing, but making crafts for our giveaway was awful. There were super-glued hands, tables getting bumped, bubbles in the resin… It was brutal. Sometimes Nick still wakes up in a cold sweat, shouting, “So many microbeads glued to my fingers!” Never make crafts with a loved one. Just don’t.
No crafts with the wife. Got it. So I bought and read The Witching Elm and really enjoyed it, particularly how Toby and Fiona grew on me as the story went along. It’s a best seller in the occult subgenre, with excellent reviews. How does it feel seeing your baby do so well?
It feels great! It’s hard sending it out into the world, but I’ve really enjoyed reading people’s responses. I especially love when people home in on my favorite things about the book, which are the humor and the creepiness.
How would you describe your book to a new reader in the genre?
One of the blog reviewers described it as “what we would have had if Joss Whedon wrote Harry Potter,” which might be my favorite description, since I love Joss Whedon. A few other people have noted comparisons to the show Sleepy Hollow. I haven’t see the show yet, but I think it also draws on morbid American history in its world-building.
Speaking of Potter, if Toby [lead protagonist] got in a fight with Harry, who’d win?
Toby would eat him alive, assuming he had his pike. Toby’s often missing his pike, though he will gain access to weapons in the sequels. As a psychologist, the phallic reference is not lost on me.
What type of person is NOT going to enjoy your book?
Someone who’s dead inside. Or I guess, someone who doesn’t like dark fantasy.
The story is set in Boston. Give me two lines in a Boston accent.
And of course first few sleepless months after having our baby were a challenge for both of us.
How much of you is in that werewolf character?–just kidding, that question was asked of Chris Fox, who wrote some book about werewolves.
Chris Fox actually based the werewolf character entirely on me. Little known fact.
What do you hate most about the publishing process?
There is a lot of multi-tasking involved, and sometimes you feel like you just want to focus on one thing at a time. You end up juggling social-media, learning new software, finding cover designers, getting feedback–all while trying to keep the focus on writing the next book. But the varied tasks definitely keep things interesting.
What do you love about indie publishing?
I love the flexibility. For example, a couple of the reviewers were confused by the first few pages, so we were able to clarify things and re-upload the book really quickly.
What advice would you give to someone thinking of publishing their book independently?
My main advice is to find a way to get as much feedback as possible for the first books, and listen to people’s input. There’s a lot of advice out there to just “write write write,” and there’s a lot of focus on word counts and cranking out books. I would counter to say–at least for a first book–take your time, and make sure you’re getting it right. Don’t try to edit it yourself, even if you’re an editor, and don’t design your own cover. Unless you’re a designer. If you’re totally broke there are still ways around these things.
What are you going to to do after you’ve won your second pulitzer?
Do they give pulitzers for books? Shows how much I know. I thought it was a newspaper thing. Well anyway I’d definitely insert it into every possible sentence for the rest of my life. “As a two-time pulitzer winner, I would like a fish sandwich with fries.”
Punchable face. Name one. Explanation optional.
Dapper Laughs, a British “cheeky chappie” “entertainer.” I would also like to punch the phrase “cheeky chappie” in the face. 
Ask yourself a question and answer it.
Best book you’ve read in the past year? I have yet to read Arcane, so I’m going to go with Wolf Hall by Hilary Mantell, which is a fantastic historical fiction book about Thomas Cromwell, one of Henry VIII’s advisors. I love the Tudor-era books.
C.N. Crawford is not one person but two. Christine (C) grew up in the historic town of Lexington, and has a lifelong interest in New England folklore – with a particular fondness for creepy old cemeteries. Nick (N) spent his childhood reading fantasy and science fiction further north during Vermont’s long winters. Together they work to incorporate real historical events and figures into contemporary urban fantasy novels.
By day Chris Fox is an iPhone developer architecting the app used to scope Stephen Colbert’s ear. By night he is Batman. Ok maybe not. He can dream though, right? Chris has been writing since he was six years old and started inflicting his work on others at age 18. By age 24 people stopped running away when he approached them with a new story and shortly thereafter he published my first one in the Rifter. Check out his fiction at Chris Fox Writes.
