My new (less formal) author biography

Thought I’d change it up and relax the formality of my official bio. It kind of gives a bit more insight behind why The Arinthian Line is the way it is:

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ABOUT SEVER BRONNY*

I’m a full time author living in Victoria, British Columbia. I grew up on Dragonlance and probably spent way too much time playing video and role-playing games (particularly Rifts and AD&D). My favorite sagas are Harry Potter, Lord of the Rings, and Game of Thrones. Much of my youth was spent exploring dungeons. Now my cat likes to keep watch from a customized Lego castle near my desk.

I love to bike camp with my amazing wife, who is my biggest supporter. I play tennis, leisure chess, and once wanted to become a pilot. When I was a kid, I dreamed I could jump off the ground and fly. My head was in the clouds, and in some ways, still is.

The Arinthian Line is my first series, currently consisting of ARCANE, RIVEN, and VALOR. It was inspired by my youthful adventures spent as a boy scout. I am very fortunate in that each of the books hit #1 on Amazon in the Fantasy Coming of Age genre at one time or other. I enjoy talking to my readers very much, so email me anytime at severbronny@gmail.com

Subscribe to my newsletter to receive a notification of release of the next book in the series at http://eepurl.com/HIxzX

I only email 1-2 times a month, so you don’t have to worry about useless spam clogging your inbox.

Oh, I was also a musician at one time, having released three albums with my industrial-rock music project Tribal Machine, including the full-length concept album The Orwellian Night. One of my songs can be heard in the feature-length film The Gene Generation.

I know how lucky I am to be a full time author. I am grateful for it every day.

* — Meh, ended up tinkling with it a bit more. Latest version in the margin.

VALOR (The Arinthian Line, Book 3) released!

Fantasy book cover valor arinthian line high young adult best selling series epic warlock witch wizard augum bridget leera book 3 three third magic, adventure, quest, castles, wizards, coming of age, saga series story about like apprentice sword and sorcery warlocks witches action knights kingdom legend myth thriller tale hero mystery love youth dragon teen teenage villain lord kids telekinesis fun twelve thirteen fourteen year old fifteen childrens boys aged ages novel paperback genre kingdom third three aged ages to 11 12 13 14 15 16 Fantasy book cover valor arinthian line high young adult best selling series epic warlock witch wizard augum bridget leera book 3 three third magic, adventure, quest, castles, wizards, coming of age, saga series story about like apprentice sword and sorcery warlocks witches action knights kingdom legend myth thriller tale hero mystery love youth dragon teen teenage villain lord kids telekinesis fun twelve thirteen fourteen year old fifteen childrens boys aged ages novel paperback genre kingdom third three aged ages to 11 12 13 14 15 16 Fantasy book cover valor arinthian line high young adult best selling series epic warlock witch wizard augum bridget leera book 3 three third magic, adventure, quest, castles, wizards, coming of age, saga series story about like apprentice sword and sorcery warlocks witches action knights kingdom legend myth thriller tale hero mystery love youth dragon teen teenage villain lord kids telekinesis fun twelve thirteen fourteen year old fifteen childrens boys aged ages novel paperback genre kingdom third three aged ages to 11 12 13 14 15 16 Fantasy book cover valor arinthian line high young adult best selling series epic warlock witch wizard augum bridget leera book 3 three third magic, adventure, quest, castles, wizards, coming of age, saga series story about like apprentice sword and sorcery warlocks witches action knights kingdom legend myth thriller tale hero mystery love youth dragon teen teenage villain lord kids telekinesis fun twelve thirteen fourteen year old fifteen childrens boys aged ages novel paperback genre kingdom third three aged ages to 11 12 13 14 15 16

Apprentice warlocks Augum, Bridget and Leera have reunited with their legendary mentor, Anna Atticus Stone. But her epic battle with the diabolical Lord of the Legion has taken a toll, and now she suffers from a deadly arcane fever. To revive her, Augum will have to earn the respect of a warrior people … by facing his childhood tormentors.

Meanwhile, Augum and Leera’s feelings for each other are complicated by the upcoming Star Feast, a magical midnight dance to mark Endyear. Their revelry will have to be short-lived, however, for a perilous quest beckons—the trio must infiltrate an ancient castle that will pit them against enemies old and new, while testing every ounce of their skill and courage

KINDLE    |   PAPERBACK

Thank you all so much for your patience and support. If you’re a fan of the series, consider sharing this post on Facebook / Twitter / other social media. Thank you so much :)

All my best,

Sever

Sneak peek ;)

Coming soon …

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The Arinthian Line Book 3 (title TBA)

Title: To be announced, (The Arinthian Line, Book 3)
Cover and blurb reveal date: To be announced (subscribe to get a notice of release as well as a 24 hour window to purchase book 3 at a steep discount)
Release date: To be announced

Arcane (The Arinthian Line, Book 1)
Riven (The Arinthian Line, Book 2)

Author’s thoughts: Who releases a book with a winter cover in the middle of summer? I know, crazy, but I figure you’d want it sooner than later. This one is packed with adventure; Augum, Bridget and Leera are tested unlike ever before. I’m ultra excited, and I really can’t wait to get it to you. Not long to wait now!

Thank you to each and every single one of you for your amazing support. It means so much to me :)

All my best to you and those you love,

– Sever
Want to get involved? Join my Advance Review team

David Neth Guest Post: The Differences Between Indie Publishing and Traditional Publishing

It gives me great pleasure to introduce an up-and-comer, David Neth:

The Differences Between Indie Publishing and Traditional Publishing, by David Neth

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Lately the publishing industry has been divided between authors going the indie route and those still pursuing the traditional route. As someone who has received his master’s degree in publishing in NYC (whose teachers worked at some of the largest publishing houses in the world), it might come as a surprise that I’m choosing the independent route to publish my work. Confused? Let me explain…

Throughout the time I spent learning (and discovering) the publishing industry, I found out that self-publishing was a force to be reckoned with. Fifty Shades of Grey had just been picked up by Random House at the time and was blowing up the bestseller lists. My teachers (the traditional publishers) were discussing how they were looking into other self-published titles for the next hit.

Fast forward to that following summer, when I first decided to try out the self-publishing route, I discovered Joe Konrath’s blog and was obsessed. This guy had been traditionally published and switched to self-publishing in its infancy and was making bank. Way more than he was when he was traditionally published. My publishing education was expanded further as I embraced self-publishing.

Previously I had been shocked and dismayed that the publishers on Fifth Avenue were so dismissive to authors. Not all of them, but the vibe I got from the classes was that the authors spit out the first draft and then let the publishers take it from there without any input from the author on the cover design or style changes. That wasn’t the way I wanted my books to be handled. Not only that, but we had several entrepreneurs and innovators that came to guest speak in my classes and they inspired me. I wanted to forge my own path, my own way. I wanted to carve out a lifestyle that would work for me and would enable me to do what I loved to do.

It’s important to note that indie publishing isn’t all bubblegum and rainbows. Equally, traditional publishing isn’t a horrible route to take. It just wasn’t going to work for me. I wanted to make a career as a novelist. That just wasn’t possible with traditional publishing. I knew my book wasn’t a runaway hit like Harry Potter, but it was at least publishable. I knew I enjoyed it and someone else must, even if it was a midlist book. The problem with midlist books is that they don’t make traditional publishers a lot of money. In fact, they cost publishers money. It’s a business risk they don’t want to take so understandably they’re picky with their selections. If they don’t think it might be a hit, it’s rejected. No matter how well-written it is.

With indie publishing, I’m the one taking the risk on my own book. Since it’s my baby, I have the passion and enthusiasm behind it to push it to its best. Traditional publishing houses don’t always carry the same enthusiasm, especially if they feel your book is only going to land on the midlist.

Whether you choose to publish independently or pursue the traditional paths to publication, you need to weigh the pros and cons of each. Here are some key points about the differences between indie publishing and traditional publishing:

– Production:
With indie publishing you handle everything, unless you decide to outsource it, but that costs you your own money. With traditional publishing, they handle everything and you anxiously await the final proofs and product. This is different for each person. While it would be nice to have complete creative control over the final product with indie publishing, you may lack the skills necessary to make it a stellar product comparable with a traditionally published book. Likewise, while you lose your complete creative control over the final product (publishers may consult with you throughout the process, but they get the final say), the product is designed by professionals who have been working in the field for years and years. Not only that, but the bill is footed by the publisher.

– Advertising/Marketing:
Again, with this it depends on the publisher if you decide to go traditional. If they view you as a midlister, your advertising and marketing dollars drop significantly. You might as well be self-published and on your own with the budget they give you for advertising and marketing. However, if they think your book is the best thing since sliced bread, you’re going to be all over the place. You’re going to be the center of creative marketing and interviewed by newspapers, blogs, and magazines without having to ask. The publisher will take care of that for you. With indie publishing, you need to discover and beg, plead, and steal to get any sort of free promotion. In the end, hopefully your hard work (and possibly money) pays off since you’re also battling the stigma of self-published authors.

– Publishing Schedule:
The traditional publishing cycle, from acquisition to publication, is 18 months at the fastest. That’s a new book every year and a half. While that time is good for building hype and having a massive release day, it’s still a long time between each book. This is where indie publishing shines through. When you self-publish, you put out a book as fast as you can produce it. However, be mindful of the frequency at which you’re putting books out. Readers will come to expect it and then abandon you when you eventually burn out and miss your typical publication date. Conversely, they may abandon you if you saturate them too much. Think about it when all your favorite musicians decide to put out new albums around the same time. You either go broke or you pick and choose which ones you can’t live without.

Fortunately, neither path is the end-all-be-all. There are successful hybrid authors putting out books independently and traditionally. If you’re good at it, this might be the sweet spot. You get the attention and free promotion on your traditionally published books and those eyes will be led to your self-published books. It’s a win-win.

This post avoids the most obvious difference between indie publishing and traditional publishing: the royalty rate. Indies earn 60-70% royalty on their titles while traditionally published authors see 20%, which then needs to be split with their agent (since you can’t get a book deal without a literary agent). This is also something to consider when deciding which path to choose, but it’s certainly not the only thing. Create a list for yourself and determine what’s important to you. Are you looking to create a career or fulfill a hobby? Do your research and make a decision for yourself. Which path will you choose?

David’s first book is up for pre-order now

David Neth book

The Blood Moon by David Neth

The wars that inspired Game of Thrones

Beginning around 1377, medieval England was shaken by a power struggle between two noble families, which spanned generations and involved a massive cast of characters, complex motives and shifting loyalties. Sound familiar? Alex Gendler illustrates how the historical conflict known as the Wars of the Roses served as the basis for much of the drama in Game of Thrones.

Lesson by Alex Gendler, animation by Brett Underhill.

I interview the enigmatic CN Crawford

Thank you for coming over to this blog. Sorry for the mess, been bit of a dump around here lately. Uh, have a seat between the ferns. So, what’s with the parrot?

We have a bird thing going. Book three is going to have some pirates, and probably some parrot familiars. It’s like the old adage says, “put a bird on it.”

That video. lol. So the CN in C.N. Crawford is two people apparently. Explain why you’re not crazy.

Either there are actually two of us, or it’s just me in a yellowed wedding dress with a moldering rat-eaten cake screaming into a dead garden about a husband. I’m not going to tell you which of these is true. 

Since you’re not crazy, why is there a knife in both your hands? I don’t do interviews like this.

It’s for your own good. There’s a better place for you than this world. Or at least better than Canada. 

*Whistles Canadian anthem* Since you’re definitely not crazy or murderous, tell us what roles each of you serve in writing the book.

Nick started working on the book, with the idea that it would be about a witch-boy traveling from a magical world into ours. It began with a crow flying to a creepy old school in Boston. I started doing some world-building, which was very history-focused since that’s my main interest. Then I started taking over the writing of the story. Apart from a few scenes that Nick started, mostly I would write a draft, and Nick would go over it after. The plot came out of discussions between the two of us.I’m gradually taking over almost all of this series, but Nick has another series in the back of his mind, which I’m excited about. He’s an evolutionary biologist, and he’s working on an idea for a thriller about a genetic researcher who uncovers a supernatural conspiracy.

How violent is your working relationship? If it’s not violent, can you make something juicy up? This is practically Jerry Springer here. I mean, look at the raving loons in the audience.

It was pretty tame for the writing, but making crafts for our giveaway was awful. There were super-glued hands, tables getting bumped, bubbles in the resin… It was brutal. Sometimes Nick still wakes up in a cold sweat, shouting, “So many microbeads glued to my fingers!” Never make crafts with a loved one. Just don’t.

No crafts with the wife. Got it. So I bought and read The Witching Elm and really enjoyed it, particularly how Toby and Fiona grew on me as the story went along. It’s a best seller in the occult subgenre, with excellent reviews. How does it feel seeing your baby do so well?

It feels great! It’s hard sending it out into the world, but I’ve really enjoyed reading people’s responses. I especially love when people home in on my favorite things about the book, which are the humor and the creepiness. 

How would you describe your book to a new reader in the genre?

One of the blog reviewers described it as “what we would have had if Joss Whedon wrote Harry Potter,” which might be my favorite description, since I love Joss Whedon. A few other people have noted comparisons to the show Sleepy Hollow. I haven’t see the show yet, but I think it also draws on morbid American history in its world-building.

Speaking of Potter, if Toby [lead protagonist] got in a fight with Harry, who’d win?

Toby would eat him alive, assuming he had his pike. Toby’s often missing his pike, though he will gain access to weapons in the sequels. As a psychologist, the phallic reference is not lost on me.

What type of person is NOT going to enjoy your book?

Someone who’s dead inside. Or I guess, someone who doesn’t like dark fantasy.

The story is set in Boston. Give me two lines in a Boston accent.

We’re evacuatin the youngest philawsiphas. You three ah goin to Boston fuh safety, to Mathah Academy. Now get me a spuckie and take a dudley, ya haw-mongas.*
 
*(That last line is not in the book, and is in a deep boston accent decipherable only to the inititiated). 

Why do you write?

I think both Nick and I need a creative outlet for surreal ideas and concepts, or our weirdness will start to come out in other ways. And writing is much less rage-inducing than crafts.

I’ve got a set of questions I ask all authors: If you became very rich, what would a typical day look like for you?

My son would wake me up at 7, and then I’d pound a few cups of coffee. The nanny would come to play with my toddler while Nick and I sat around making up stories about tree gods and witches. It would look very much like a day now, except Nick would be home, and we’d have a nanny, and our light switches would work. 

What’s been your greatest challenge in life?

For me it was probably moving to London when I was 21 with only $500 in the bank. I stayed there for over 8 years, and for at least a few of those I was on minimum wage in a very expensive city.

And of course first few sleepless months after having our baby were a challenge for both of us. 

How much of you is in that werewolf character?–just kidding, that question was asked of Chris Fox, who wrote some book about werewolves.

Chris Fox actually based the werewolf character entirely on me. Little known fact.

What do you hate most about the publishing process?

There is a lot of multi-tasking involved, and sometimes you feel like you just want to focus on one thing at a time. You end up juggling social-media, learning new software, finding cover designers, getting feedback–all while trying to keep the focus on writing the next book. But the varied tasks definitely keep things interesting.

What do you love about indie publishing?

I love the flexibility. For example, a couple of the reviewers were confused by the first few pages, so we were able to clarify things and re-upload the book really quickly. 

What advice would you give to someone thinking of publishing their book independently?

My main advice is to find a way to get as much feedback as possible for the first books, and listen to people’s input. There’s a lot of advice out there to just “write write write,” and there’s a lot of focus on word counts and cranking out books. I would counter to say–at least for a first book–take your time, and make sure you’re getting it right. Don’t try to edit it yourself, even if you’re an editor, and don’t design your own cover. Unless you’re a designer. If you’re totally broke there are still ways around these things.

What are you going to to do after you’ve won your second pulitzer?

Do they give pulitzers for books? Shows how much I know. I thought it was a newspaper thing. Well anyway I’d definitely insert it into every possible sentence for the rest of my life. “As a two-time pulitzer winner, I would like a fish sandwich with fries.”

Punchable face. Name one. Explanation optional.

Dapper Laughs, a British “cheeky chappie” “entertainer.” I would also like to punch the phrase “cheeky chappie” in the face.

Ask yourself a question and answer it.

Best book you’ve read in the past year? I have yet to read Arcane, so I’m going to go with Wolf Hall by Hilary Mantell, which is a fantastic historical fiction book about Thomas Cromwell, one of Henry VIII’s advisors. I love the Tudor-era books.

C.N. Crawford is not one person but two. Christine (C) grew up in the historic town of Lexington, and has a lifelong interest in New England folklore – with a particular fondness for creepy old cemeteries. Nick (N) spent his childhood reading fantasy and science fiction further north during Vermont’s long winters. Together they work to incorporate real historical events and figures into contemporary urban fantasy novels.